The enchanting sounds of Majestica, the duo of flutist Sherry Finzer and multi-instrumentalist Cass Anawaty. They come in to unfold the spacescape melodies of their album, Auriga to Orion.
On a Slow Flow Echoes, music by Hugar, an Icelandic band traveling between post-rock and neo-classical music, and we’ll hear something new from All India Radio’s new album, Eternal.
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Oboist Jill Haley’s Nature Soundscape in Echoes Podcast https://media.blubrry.com/echoespodcast/echoes.org/wp-content/uploads/2019/10/EchoesPodcast-JillHaley2019.m4aPodcast: Play in new window | DownloadSubscribe: RSS In the Echoes Podcast, we go out to the park with oboist and composer Jill Haley. Her parks have names like Yellowstone, Glacier, Zion, and Badlands. She takes up residence in National Parks, and composes music inspired by the…
Giles Reaves and Tony Gerber take us into deep space when they play live. These electronic veterans perform from their album of ambient duets, Elder Crossing, on Echoes.
A Flashback 50 to David Bowie’s Space Oddity. It was Bowie’s first important album, featuring the title track, one of the iconic rock songs of the last 50 years.
Talitha Rise returns as just Rise. We’ll talk to Jo Beth Young, the English musician behind Rise who talks about the harrowing changes she endured to emerge with her self-produced album.
The enchanting sounds of Majestica, the duo of flutist Sherry Finzer and multi-instrumentalist Cass Anawaty. They come in to unfold the spacescape melodies of their album, Auriga to Orion.
Weekend Echoes listeners hear Lana Del Rey’s epic Norman F Rockwell, the November CD of the Month. We’ll also hear an extraordinary live performance by guitarist Michael Gulezian.
On a Slow Flow Echoes, music by Com Truise, the recording persona of Seth Haley. We’ll hear from his album, Persuasion System as well as new ambient chamber music by William Ryan Fritch.
We’ll hear music from Elbow. The moody English band has a new album Giants of All Sizes. We’re also going to hear a track by electronic artist Trentemøller from his latest album, Obverse.