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Deborah Martin’s new album Eye of the Wizard is inspired by supernatural myths, but she used to be a country singer. She talks about going from country to cosmic in Echoes Podcast
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Kiasmos is the electronic project of ambient chamber music composer Ólafur Arnalds and fellow Icelander, Janus Rasmussen. They talk about their techno journey.
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Ane Brun’s music is always personal, touching on themes of love and life’s tribulations. But on her latest album, When I’m Free, Brun sings songs of empowerment.
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John Luther Adams talks about his award-winning composition, Become Ocean, and his decision to leave Alaska in the Echoes Podcast.
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On her new album, Echoes of the Dreamtime, Miranda Lee Richards takes folk sounds and deploys them through delayed guitar and psychedelic hues.
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Big Ears is one of the most expansive, eclectic and challenging music festivals in the world. In downtown Knoxville Tennessee, musicians from around the world and across genres convene in concerts that test the limits of sound and music.
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Cavern of Anti-Matter is a group steeped in analog synthesizers and worships at the electronic altar of 70s German groups like Neu! Harmonia, Cluster and Can. We talk to band leader Tim Gane about plugging in to the sound of his youth.
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We remember Brazilian percussionist Nana Vasconcelos, who died on March 8, 2016. He was a master musician who recorded with Pat Metheny, Jon Hassell, Laurie Anderson and Talking Heads.
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Discreet Music, arguably the first of Eno’s ambient works, has entered the acoustic canon, via the Canadian group, Contact. They turn the piece into an immersive meditation. Contact’s Jerry Pergolesi talks about making contact with Discreet Music.
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Kenji Williams makes a different kind of “World Music” with Bella Gaia, a view of the world and its music, seen from space. Bella Gaia is a project put together by Williams, using NASA images of Earth from Space, quotes from astronauts and and music from around the world