Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music and pseudonyms, including psychedelic persona Figueroa where he even sings.
Ryan West records as Rival Consoles, a resolutely electronic project, but he still thinks of his chromium plated compositions as songs. He calls it “songwriting with an electronic palate.”
Shpongle’s Simon Posford has spent his time in pandemic quarantine creating a soundtrack that plays out like the 10 Stages of pandemic lockdown. We hear about Flux and Contemplation.
Ryan West records as Rival Consoles, a resolutely electronic project, but he still thinks of his chromium plated compositions as songs. He calls it “songwriting with an electronic palate.”
Andreas Vollenweider and Rival Consoles this weekend on Echoes. Hear Vollenweider’s Quiet Places, the CD of the Month for October. Then we talk with Rival Consoles about his electronic music.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed into Llynks, a dark, electronic pop project. She talks about it on Echoes.
Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music under pseudonyms, including psychedelic persona Figueroa, where he even sings.
Ryan West records as Rival Consoles, a resolutely electronic project, but he still thinks of his chromium plated compositions as songs. He calls it “songwriting with an electronic palate.”
Moby talks about his prescient new album, All Visible Objects. Written mostly in 2019, it’s themes of revolution, isolation and contemplation seem to fit right in with these times.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed in Llynks, a dark, electronic pop project. She talks about it on Echoes.