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Ólafur Arnalds is one of the signature composers of ambient chamber music, and in the last year, he’s released an album based on the compositions of Chopin, scored BBC TV series, Broadchurch and recorded an all electronic project as Kiasmos.
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Slow Meadow is the performance name of Matt Kidd who has collaborated with the band Hammock, but has created his own approach to ambient chamber music. We walk through the fields of Matt Kidd’s Slow Meadow.
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Michael Spriggs is an A-list session guitarist in Music City who has played on, and written, dozens of country hits. But when he goes home, he plugs in to a different sound, turning country into Ambient Americana, with touches of Celtic music.
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Chad Kettering started out as a classical trumpet player, but something happened on the way to the concert hall. He discovered synthesizers and started creating an orchestral electronic sound that’s part progressive rock and part New Age.
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Árstíðir is a band out of Iceland with an organic, acoustic sound that has roots in the harmonies of Crosby, Stills, Nash & Young. Playing guitars, violin, piano and cello, these musicians create introspective songs on their latest album, Hvel.
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Clarinet isn’t an instrument you often hear in electronic music, but it’s a central part of the sound of Digitional the English ambient chamber music band headed up by Andrew Dobson. Along with violinist Samy Bishai, Dobson creates a music of haunting melodies and luxurious moods. Their latest album is Beautiful Broken, where they find a common ground between chilled electronic grooves and the modern classicism of Steve Reich and Arvo Pärt.
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Minimalist pioneer Terry Riley turns 80 and shows no sign of slowing down. On his birthday, Daevid Allen, Jon Hassell, Kronos Quartet, Mike Oldfield and more talk about the influence of this minimalist icon who has gone beyond minimalism.