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She created the theme for Doctor Who, tripped out with the White Noise, and inspired a few generations of British electronic musicians to plug in. Delia Derbyshire remembered in Echoes Podcast
Swedish electronic musicians Johann Agebjörn and Mikael Ögren take a trip to the Russian-Finish border and come back with an album of evocative tone poems, We Never Came to the White Sea.
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Harmonica isn’t the sound heard in ambient music, but on The Recognition, Art Patience casts his harmonica out on desert echoes and ambient spaces. He talks about it in Echoes Podcast.
While German space music was creating sequencer driven grooves Klaus Schulze created an ambient dreamscape, Mirage: A Winter Landscape in 1977. John Diliberto looks back.
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The Delia Derbyshire Appreciation Society is less of a fan club and more of an electronic, deep ambient duo with Garry Hughes of Bombay Dub Orchestra and Harvey Jones.
Allan Holdsworth was a fret-blazing guitarist who torched his way through a wide range of iconic progressive rock and fusion.
Mother Mallard’s Portable Masterpiece Co. was the first modern electronic ensemble, playing live in 1970. That same year MMPMCo’s David Borden composed Easter in Robert Moog’s basement.
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In the Echoes Podcast, composer and keyboardist Michael Whalen talks about how to go to sleep and the music of his latest album, Dream Cycle. It’s not the music of slumber.
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Morton Subotnick was a pioneer of electronic music. His 1967 album, Silver Apples of the Moon, signaled a new way of making music that only used electronics. He talks about the early days of electronic music in the Echoes Podcast.
Written by John Diliberto on April 3, 2017 It’s pretty rare that an artist could take three albums spanning 40 years, put them together, and have them sound like a coherent whole, as if it was the plan all along for them to sit together as a single epic work. But French electronic artist Jean-Michel…