Hollan Holmes, Matthias Lehmann and Zanov on a Slow Flow Echoes
Some musicians draw their inspiration from their surrounding. That’s the case with Hollan Holmes, a Texas-based electronic musician who is inspired by geographical sites in that state. But he creates evocative, mystical soundscapes out that inspiration on his latest album, Sacred Places. Matthias Lehamnn on the other hand, a German electronic musician goes right to fantasy on his latest album, Zauberland which translates as Magical Realm. We’ll also hear a 1970s French space music pioneer, Zanov from his latest album, Lost in the Future. John Diliberto always has the music of the future on Echoes from PRX.
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Thursday, January 18, 2024 – Echoes Program 2403D |
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Start Time |
Group Name |
Song Name |
Album Name |
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First Half Hour |
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| 0:01:00 | Ancient Astronaut | Expanding Mind | Cosmic Trails |
| 0:06:00 | Hauschka | Detached | Philanthropy |
| 0:10:41 | Hollan Holmes | Drawn To An Intangible Energy | Sacred Places |
| 0:16:51 | Rom Ryan | Victory | Ear Crack Candy Vol.1 |
| 0:25:09 | David Lindsay | Free To Be | Ever So |
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Second Half Hour |
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| 0:30:00 | Michael Hewett | The Dark Wind | Blue Avian EP |
| 0:34:36 | Jeff Pearce | Serenity Fields | The Road Ahead |
| 0:38:49 | Tonal Assembly | The Cathedral | Architektur (v/a) |
| 0:44:59 | Matthias Lehmann | Lichtreise (Light Voyage) | Zauberland |
| 0:49:52 | Arin Aksberg | A Time Given | Nordic Patterns |
| 0:55:55 | Evening Ocean | Fires Burn Bright | The Great Love |
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Third Half Hour |
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| 1:01:00 | Omar Ahmad | Lapses | Inheritance |
| 1:06:00 | Quiet Resonance | Managua | Flight Patterns |
| 1:11:20 | Zanov | Time Manipulation | Lost in the Future |
| 1:16:36 | Dave Preston | Tonight At Midnight | Life / Love |
| 1:21:11 | Taiyō Rey | Maybe in Berlin | Shattering Stimuli |
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Fourth Half Hour |
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| 1:30:00 | Syndromeda | Four | Liftoff to Infinity |
| 1:39:49 | Thomas Lemmer & Oine | Confidence | Zero Gravity |
| 1:44:16 | Tony Sieber | Infinity | Ambient Guitar Tales |
| 1:49:00 | Benge | The View From Vega (Part VI) | The View From Vega |
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