Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed into Llynks, a dark, electronic pop project. She talks about it on Echoes.
Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music under pseudonyms, including psychedelic persona Figueroa, where he even sings.
Moby talks about his prescient new album, All Visible Objects. Written mostly in 2019, it’s themes of revolution, isolation and contemplation seem to fit right in with these times.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed in Llynks, a dark, electronic pop project. She talks about it on Echoes.
Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music and pseudonyms, including psychedelic persona Figueroa where he even sings.
Moby talks about his prescient new album, All Visible Objects. Written mostly in 2019, its themes of revolution, isolation and contemplation seem to fit right in with these times.
New ambient chamber music by Naneum from Life Cycle, a work for electronics and choir. We’ll also hear Daniel Avery and Allessandro Cortini from their collaboration, Illusion of Time.
We return to a 2010 concert by Jon Hopkins. He’s worked with Brian Eno and Coldplay, and had just released his CD Insides. He played two pieces from Insides, and an unreleased improvisation.
Tonight’s Echoes includes music from Emancipator surrounding his interview, along with new music by Moby, Atomic Skunk and Steve Roach, as well as a classic from Sun Ra.
