Yoga Records label owner Douglas McGowan has set out to re-examine New Age music from its Indie, experimental roots. He talks about his compilations I Am the Center and The Microcosm on Echoes.
Singer Julianna Barwick creates gothic choirs and modern day chants, layering her voice live in vocal loops. She comes in to pay live on Echoes.
On a Slow Flow Echoes, it’s new music by guitar synthesist Mark Dwane and former Tangerine Dream member Paul Haslinger and his score to Halt and Catch Fire.
Six Hours of music for watching the sea, and allowing the waves of sound to wash over you. Includes new music from Tigerforest, Paul Haslinger, Jairamji and The Album Leaf; as well as classic tracks by Kitaro, Giles Reaves and Jon Hassel.
New music from Springtime Carnivores Midnight Room and Wax Tailor’s latest sampling serenade, By Any Beats Necessary.
Coming up on a Slow Flow Echoes it’s music from Gustaf Fjelstrom, whose main instrument is electric bass. On his new album, Intention, he uses it to create a lush and melodic post-rock sound.
On a Slow Flow Echoes we dip into a collection of 1970s cosmic music called The Microcosm and we’ll hear new electronic music by Normandie off the album Time Lapse.
Singer Norah Jones goes back home on her new album called Day Breaks. We’ll hear a track from that and the electro-pop band called Fresh Snow.
The English Ambient band Marconi Union return with a new album called Ghost Stations that continues their soundtracks for abandoned cities and deserted industries. They talk about it on Echoes.
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Martin Tillman has been a first call cellist in Hollywood for 20 years and he’s graced scores from Mission Impossible to Black Hawk Down. Now he has a new album inspired by his wife’s multiple sclerosis. He talks about it in the Echoes Podcast.