Echoes Top 25 for April includes Moby, Alpha Seeds, Chuck Van Zyl, Khruangbin, Jeff Johnson & Brian Dunning, Delia Derbyshire Appreciation Society, Loreena McKennitt, Jeff Greinke.
Everything Was Beautiful and Nothing Hurt is a wonderful sentiment, but as the title of Moby’s latest album, it takes a more solemn turn. Hear why when we explore the sounds of Moby’s latest album as the April CD of the Month.
Moby creates an anthem for our times with Everything was Beautiful and Nothing Hurt. It’s an apocalyptic lament and plea It’s the Echoes CD of the Month for April.
Everything Was Beautiful and Nothing Hurt is a wonderful sentiment, but as the title of Moby’s latest album, it takes a more solemn turn. Hear why when we explore the sounds of Moby’s latest album as the April CD of the Month.
Cold Specks has sung on some of Moby’s best songs. On her new solo album, Fool’s Paradise she explores her Muslim and Somali heritage in spare, lo-fi, electronic ambiences.
We’ll hear new music by Steve Dinsdale from Radio Massacre International. It’s called Light & Dark and it’s an odyssey of electronic influences from Can to Cluster. We’ll also go Gothic, with several tracks inspired by the sounds from the Middle Ages. John Diliberto has it coming up on Echoes.
Moby is not happy with the state of American affairs and you can hear it in a song called “Mere Anarchy.” It’s from his new album, Everything was Beautiful and Nothing Hurt. We’ll also hear a new song by shoegaze dreamers Wooden Shjips off their album, “V” (five).
On this Friday before Christmas, Echoes presents a Christmas Prequel: seasonal sounds, as well as a new song by Moby, who goes spiritual on his forthcoming CD, Everything was Beautiful and Nothing Hurt.
Moby returns to his less rocking side for a subdued and introspective reimagining of the spiritual, Sometimes I Feel Like a Motherless Child” accompanied by a video.
Cold Specks is a Canadian singer with Somali roots and deep soul attitude. Her new album Fool’s Paradise is a lo-fi Soul experience, and the video for “Wild Card” reflects it’s muted tones.