We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
We hear dream pop from Australia from Brigitte Bardini. Her debut album, Stellar Lights, is bathed in new wave grooves, dream pop moods and singer-songwriter reveries.
We visit the Electronic Music Education and Preservation Project, EMEAPP. It’s a museum of electronic instruments from the earliest devices, through Keith Emerson’s keyboard rig, and beyond.
We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
On a Slow Flow Echoes we go ambient country with guitarist Carl Weingarten who has released Stop Me Try, and The Royal Arctic Institute who twang in ambience on From Catnap To Coma.
In honor of Black History Month, we turn the Echoes prism onto the African and black influences in ambient music. They come from many sources: jazz, R&B, Hip-hop and Africa itself.
Downtempo global fusion erupts when we hear Tropo, a project of violinist Tyson Leonard. He mixes electronics with violin and all kinds of global elements on Siente tu Corazon.
We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
New music from singer Jo Beth Young, who we’ve known previously as Talitha Rise. She has new music that takes a more electronic and ethereal direction. We’ll also hear music by Tone Ranger.
Rena Jones is a polymath. She plays violin, cello and synthesizers and immerses her music in the imagery of nature and philosophy. We talk about hidden meanings and her new album, Allegories.