We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
Music by Beach House. The dream-pop duo takes an intimate and acoustic approach on their album, Once Twice Melody. We’ll also hear from Police guitarist Andy Summers.
On a Slow Flow Echoes we go ambient country with guitarist Carl Weingarten who has released Stop Me Try, and The Royal Arctic Institute who twang in ambience on From Catnap To Coma.
Trentemøller is a Danish electronic musician who started out on the dance floor. Now he’s creating a more introspective music drawing upon his memories and his recent status as a father.
In honor of Black History Month, we turn the Echoes prism onto the African and black influences in ambient music. They come from many sources: jazz, R&B, Hip-hop and Africa itself.
We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
We hear dream pop from Australia from Brigitte Bardini. Her debut album, Stellar Lights, is bathed in new wave grooves, dream pop moods and singer-songwriter reveries.
We visit the Electronic Music Education and Preservation Project, EMEAPP. It’s a museum of electronic instruments from the earliest devices, through Keith Emerson’s keyboard rig, and beyond.
We talk to Marconi Union, a true 21st century band. The British electronic trio has a new album out that finds them tapping a more rhythmic, drum driven sound, even though there are no drums.
On a Slow Flow Echoes we go ambient country with guitarist Carl Weingarten who has released Stop Me Try, and The Royal Arctic Institute who twang in ambience on From Catnap To Coma.