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Harmonica isn’t the sound heard in ambient music, but on The Recognition, Art Patience casts his harmonica out on desert echoes and ambient spaces. He talks about it in Echoes Podcast.
While German space music was creating sequencer driven grooves Klaus Schulze created an ambient dreamscape, Mirage: A Winter Landscape in 1977. John Diliberto looks back.
We celebrate the 40th anniversary of Klaus Schulze’s epic album, Mirage, an album often cited by electronic musicians like Steve Roach and Michael Shreeve.
It’s clear blue skies, flowing brooks and chirping crickets along with synthesizers, guitars and voices when we explore the landscapes of the planet on an Echoes Earth Day Soundscape.
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The Delia Derbyshire Appreciation Society is less of a fan club and more of an electronic, deep ambient duo with Garry Hughes of Bombay Dub Orchestra and Harvey Jones.
New music from down tempo acoustics laden album from Aimee Mann and on the opposite end of the emotional spectrum is new music from the dub influenced Theivery Corporation.
Harmonica isn’t the sound you usually hear in ambient music, but that’s the chosen instrument of Art Patience, a musician from Arizona. He started out, and still plays blues and R&B harmonica licks, but on his recent albums, like The Recognition, he casts his harmonica out on desert southwest Echoes and ambient spaces.
The Delia Derbyshire Appreciation Society is less of a fan club and more of an electronic, deep ambient duo with Garry Hughes of Bombay Dub Orchestra and Harvey Jones.
Mother Mallard’s Portable Masterpiece Co. was the first modern electronic ensemble, playing live in 1970. That same year MMPMCo’s David Borden composed Easter in Robert Moog’s basement.
Tangerine Dream and Steve Roach provide the electronic part of a Slow Flow Echoes.