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Whether composing for high fashion or cinematic expanses of the mind, Prequell is creating a 21st century symphonic music. Hear it when we talk to Thomas Roussel of Prequell in Echoes Podcast.
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In the Echoes Podcast we go inside the enchanting chamber pop of Gracie and Rachel. These high school friends have entered adulthood creating a sound in an orbit with Max Richter, Agnes Obel and Steve Reich.
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Hear a review of Todd Boston’s One, Echoes November CD of the Month. Todd is a post-Windham Hill guitarist with a global mind. He creates a one-man world music ensemble.
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On the Echoes Podcast t’s the band called HDLSS (Headless). They’re an electronic dream pop duo who use 70s pop motifs to explore themes of racial and religious identity.
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Steeped in jazz, bathed in ambience, aglow in pastoral warmth, Endless Field is an extension of Windham Hill and ECM. Hear Ike Sturm and Jesse Lewis talk about it in the Echoes Podcast.
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Quindar discusses their NASA–inspired debut CD, titled Hip-Mobility, in the Echoes Podcast
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It’s a 21st century Electro-orchestral symphony from Prequell called “The Future Comes Before.” It’s the Echoes CD of the Month, Hear about this dynamic work in the Echoes Podcast.
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Jim Ottaway lives on the Gold Coast of Australia, and his music dives into the oceans of space. Jim Ottaway about traveling the Australian spaceways in the Echoes Podcast.
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The Greatest Hoax is both a political statement, a commentary on life and death, and beautiful ambient chamber music. Hear Taylor Jordan talk about the soundtrack of dying in Echoes Podcast.
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Tamsin Wilson, the namesake of her group, Wilsen with an “e” talks about dust and centipedes and her June CD of the Month, I Go Missing In My Sleep in the Echoes Podcast.