It’s chilled ambiences from Iceland, the land of chill, when Hugar come in to play live. The duo unfolds the deep moods and frozen landscapes of their CD of the Month in an intimate and subtle performance.
Echoes paints sound in the colors of Fall with an Atumnal Equinox Soundscape that includes classics from George Winston and new music by Fiona Joy Hawkins and Maya Beiser.
Azam Ali takes her love of modern electronic music to create her new album, Phantoms. John Diliberto talks to her about a sound born from social and political darkness and electronic grooves.
New music from London Grammar teaming up with electronic producer Flume. We’ve also got something from Plaid, and their dynamic approach to electronic music from latest album, Polymer.
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Azam Ali takes her love of electronic music to create her new album, Phantoms. In the Echoes Podcast she talks about a sound born from social and political darkness and electronic grooves.
John Diliberto paints sound in painting in Autumnal colors with some of the classics like George Winston and new music from Fiona Joy Hawkins and Maya Beiser on an Echoes Autumnal Equinox.
Azam Ali takes her love of modern electronic music to create her new album, Phantoms. John Diliberto talks to her about a sound born from social and political darkness and electronic grooves.
On a Slow Flow Echoes it’s new music by Gunnar Spardel. He used to record electronic music as Tigerforest, but now he’s going in a darker, chamber music direction on a new album.
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The Cosmogony of Beacon in Echoes Podcasthttps://media.blubrry.com/echoespodcast/echoes.org/wp-content/uploads/2019/08/EchoesPodcast-Beacon.m4aPodcast: Play in new window | DownloadSubscribe: RSS In the Echoes Podcast, Beacon shines. Beacon is the electro-pop group who mix R&B and mysticism in their expansive electronic sound. This duo of Thomas Mullarney III and Jacob Gossett talk about the influence of religion and the writings and art of…
Tangerine Dream’s Thorsten Quaeschning releases The Munich Session. We also go back to 1981 for John Foxx’s The Garden, and Mark Dwane returns to 1988 to revisit his debut with Martian Apparitions.