Deep southern electronica from Niecy Blues. This South Carolina artist creates surreal soundscapes of R&B, hip hop, downtempo and ambient music for her album, Exit Simulation.
We lost the great cellist & ambient chamber music pioneer David Darling last year. But fellow cellist Hans Christian resurrected him in an album of virtual duets called Ocean Dreaming Ocean.
Mimi Page is an auteur of electronic dream pop and a composer of video game scores. But her new album, Sound Healing Vol One takes her in a more meditative direction. We talk to her on Echoes.
Neo-Classical meets electronic space when John Diliberto talks to wind and piano player Jill Haley and electronic artist Deborah Martin. Their second collaboration is Into the Quiet.
Kevin Keller talks about his album, Evensong. It is partly based on the chants and hymns of 12th century Abbess Hildegard von Bingen. Kevin brings these gothic sounds into the 21st century.
English electronic artist Ian Boddy comes in to play live. We also interview Brannan Lane, John Gregorius and Sean O’Bryan Smith. They have a new project called Emergence.
Pull up a chair for an Echoes Acoustic Thanksgiving. On this day of gathering for food, family & friends we have a live performance by guitarist Tim Farrell, surrounded by a show of all acoustic music.
On a Slow Flow Echoes, new music by Vic Hennegan. He started out as a disciple of German space music but he’s gone in a more percussive direction for his new album, Time Ritual.
Moby covers a song by Cream, and it’s not one of the big ones. He takes a haunting track from Disraeli Gears and turns it slowcore. We’ll also hear something from Beautiful Chorus.
Brannan Lane, John Gregorius and Sean O’Bryan Smith come from different musical worlds – from deep country and western to deep ambience. But they’ve gotten together for an album called Emergence.