Tag: electronic

The Real Story behind Vangelis

From the Vangelis list, I came across an alternative history of the Greek composer who scored Chariots of Fire and Bladerunner.  It’s in the Uncyclopedia.   I’m probably the last person on the planet to discover this take-off site on Wikipedia.  The Vangelis entry scores a direct hit on the enigmatic composer who is praised as…

Thoughts in Sound: Cage, Eno, Jarrett, Riley

http://media.blubrry.com/echoespodcast/www.xpn.org/podcasts/echoes/echoes20080820.mp3Podcast: Play in new window | DownloadSubscribe: RSSThoughts in Sound from musicians at the bleeding edges of music including John Cage, Brian Eno, Terry Riley and Keith Jarrett. You can also hear an Audio Version of this blog, with music. Every musician plays notes, but some of them think about the nature of sound a…

Echoes Top 25 for July: Marconi Union first Download recording to crack Top 5

http://media.blubrry.com/echoespodcast/www.xpn.org/podcasts/echoes/echoes20080730.mp3Podcast: Play in new window | DownloadSubscribe: RSSAmbient chamber music still dominates the Echoes Top 25 for August, but for the first time, a download only album cracks the the Echoes Top 5. That CD is the purely ambient A Lost Connection by Marconi Union. Their album, Distance, from 3 years ago was among our…

A Meeting of Icons: Klaus Schulze & Lisa Gerrard

It’s difficult when you fall out of love with an artist. We all have musicians whose work has been central to our lives, who we’ve followed from the beginning of their careers and absorbed everything they’ve released as if it were a gift from heaven. Klaus Schulze and Lisa Gerrard are like that for me.…

November 2001 CD of the Month: Erik Wøllo

Erik Erik Wøllo’s music floats with the grace of a hawk, effortlessly riding air currents that are left painted and glistening in his wake. But what sounds effortless is actually deeply layered, intricately woven and composed with a poetic language. Sometimes Erik is acoustic, as on GUITAR NOVA, sometimes all electronic, like POLAR DRONES, but…