On Efflorescent, Echoes Live 22, the best live performance on Echoes are gathered into a perfect 73-minute excursion. From Loreena McKennitt to Tommy Emmanuel, Jesse Cook to The Album Leaf, Efflorescent blossoms.
For many years, Swiss born musician Martin Tillman was the first call cellist for Hollywood film scores, especially if they wanted sounds that went beyond cello. He has a new album out called Superhuman.
A staple on Hollywood film scores for the last 20 years, Martin Tillman stretches out on his own cinematic album that embraces progressive rock and EDM. It’s the Echoes October CD of the Month.
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Merrin Karras is an Irish electronic artist living in Berlin, ground zero, for 70s German Space music. He brings those sounds into his own music on his album, Apex.
Moby goes back to his dance moves and political crusader modes in two new videos form forthcoming album, These Systems Are Failing.
Ed Harris is another musician who was raised on metal but went into ambient electronic music instead. As Edamame uses field recordings made on his phone for some percussive sounds samples of birds chirping and outside chatter.
For many years, Swiss born musician Martin Tillman was the first call cellist for Hollywood film scores, especially if they wanted sounds that went beyond cello. He has a new album out called Superhuman.
For many years, Swiss born musician Martin Tillman was the first call cellist for Hollywood film scores, especially if they wanted sounds that went beyond cello. He has a new album out called Superhuman.
Nicholas Gunn was a New Age staple who lew beautiful melodies on flute. Now he’s a denizen of dance clubs who has completely plugged in making music from EDM to ambient. He talks about his transition on Echoes.
J Anthony Allen is an academic composer who makes music for the dance floor and the ambient lounge. He talks about it on Echoes.