Andreas Vollenweider and Rival Consoles this weekend on Echoes. Hear Vollenweider’s Quiet Places, the CD of the Month for October. Then we talk with Rival Consoles about his electronic music.
Music from Numün, a project with a member of the ambient guitar band, Suss. They’ve created an album inspired by the 50th anniversary of the moon landing.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed into Llynks, a dark, electronic pop project. She talks about it on Echoes.
Ryan West records as Rival Consoles, a resolutely electronic project, but he still thinks of his chromium plated compositions as songs. He calls it “songwriting with an electronic palate.”
We get High on Isra. That’s actually the name of a band out of Germany making an electronic pop. We’ll hear from their album, Sad Sad Sad. We’ll also hear from the California Guitar Trio.
New music by Yaima, the dream pop duo whose music is suffused with nature imagery and hang drum rhythms. We’ll also hear from Julianna Barwick’s new album of her looped gothic chants.
Way before Tycho, The Album Leaf was the first ambient rock groups, creating a deeply atmospheric and melodic electronic sound. We go back to a 2010 performance on Echoes.
Moby talks about his prescient new album, All Visible Objects. Written mostly in 2019, it’s themes of revolution, isolation and contemplation seem to fit right in with these times.
On a Slow Flow Echoes it’s new music by Yppah, an ambient post-rock band that combines live playing with electronics. We’ll also hear the return of Trance Mission, the world fusion band.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed in Llynks, a dark, electronic pop project. She talks about it on Echoes.