Music by Wouter Kellerman, Eru Matsumoto and Chandrika Tandon. This trio of flutes, cello and voice creates a world fusion meditation called Triveni. We travel its paths.
Hani Rani has moved on from the ambient classical sound of her early work into something more stormy and political on Non-Fiction-Piano Concerto in Four Movements.
Azam Ali of Vas and Niyaz returns with a new solo album, Synesthesia, exploring themes of sensory perception, loss, fear and love. It’s Echoes November CD of the Month.
On a Slow Flow Echoes, music by Diane Arkenstone. Her release, Aquaria II: Ascension taps 90s electronic rhythms, siren wordless vocals, and electronic moods. Ascend with a Slow Flow Echoes.
On the next Echoes, we get psychedelicized. We’ll explore psychedelic music from the 1960s right up through the electronic hallucinations of the 2000s. It’s peace, love, and blown minds.
Tubular Bells’ composer Mike Oldfield talks about Ommadawn, his two-sided epic from 1975. It’s partly an homage to his mother, who died during the recording, and her Irish roots.
The ambient guitar duo, Hammock, return with a new album of inner contemplations and moody guitar excursions called Nevertheless. It’s a music that sits somewhere between here and there.
Azam Ali of Vas and Niyaz returns with a new solo album, Synesthesia, exploring themes of sensory perception, loss, fear and love. It’s Echoes November CD of the Month.
The voice of Azam Ali is heard on TV and films, with the groups Vas and Niyaz, and on several solo releases in a mix of ancient Persia and modern modalities. Her new album is Synesthesia.
John Diliberto is your crypt keeper of sonic terror, creating a soundscape of whispered voices, ambient ghosts and hip death goddesses as we soundtrack an Echoes Halloween.