Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed into Llynks, a dark, electronic pop project. She talks about it on Echoes.
Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music under pseudonyms, including psychedelic persona Figueroa, where he even sings.
New music from British neo-classical composer, Helen Jane Long. She brings an highly melodic, driving sound on the album, Vessel of Light. We’ll also hear from electronic composer Mars Lasar.
Andreas Vollenweider has been out of sight for 11 years, but now the acclaimed Swiss harpist has returned with a new album, Quiet Places. We go there and talk to him on Echoes.
We talk to legendary guitarist Michael Rother about his first new album in 16 years called Dreaming. Then Moby talks about his prescient new album, All Visible Objects.
We get High on Isra. That’s actually the name of a band out of Germany making an electronic pop. We’ll hear from their album, Sad Sad Sad. We’ll also hear from the California Guitar Trio.
On a Slow Flow Echoes, an extended contemplation from Japanese composer, Hiroki Okano. He’s created a 51 minute work merging nature sounds he recorded with beautiful melodies.
Pink Floyd’s Wish You Were Here reimagined. On the 45th anniversary of this epic recording exploring loss, psychosis and greed, we’ll hear a fantasy version of covers and of course, Pink Floyd.
Moby talks about his prescient new album, All Visible Objects. Written mostly in 2019, it’s themes of revolution, isolation and contemplation seem to fit right in with these times.
Michael Rother, legendary guitarist of German progressive music, has played with Kraftwerk, Neu, and Harmonia. We talk to Rother about his new album, his first in 16 years called Dreaming.