The Precious Dark by David Helpling and Eric "The" Taylor - Echoes May CD of the Month
The Echoes May CD of the Month is a deep trip into melodic ambience with The Precious Dark by David Helpling and Eric “The” Taylor. Weaving synthesizer moods, ambient guitar and sometimes epic sonic architecture it’s an album that takes you on a journey. John Diliberto enters The Precious Dark on the next Echoes from PRX.
Weekend, May 10-11, 2025 – Echoes Program 2518A |
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Start Time |
Group Name |
Song Name |
Album Name |
First Half Hour |
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0:01:00 | Ludovico Einaudi | In Memory of a Dream | The Summer Portraits |
0:06:00 | David Helpling & Eric “the” Taylor | The Space Between Atoms | The Precious Dark |
0:15:08 | Lana Del Rey | The Blackest Day | Honeymoon |
0:21:02 | Kinobe | Golden Dreams | Out of the Blue |
0:25:07 | Peter Gregson | Vision | Peter Gregson |
Second Half Hour |
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0:30:00 | David Helpling & Eric “the” Taylor | The Precious Dark | The Precious Dark |
0:39:23 | Ruth Radelet/Nat Walker/Adam Miller | Without a Trace | The Lost Records: Bloom and Rage |
0:43:46 | break | ||
0:44:24 | Yppah | Autumn Phase (feat. Ali Coyle) | Sunset in the Deep End |
0:48:40 | David Helpling & Eric “the” Taylor | Cavernous Heart | The Precious Dark |
Third Half Hour |
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1:01:00 | Yo-Yo Ma & The Silk Road Ensemble | Distant Green Valley | Silk Road Journeys: Beyond The Horizon |
1:06:00 | David Helpling & Eric “the” Taylor | The Ice Has Dreams | The Precious Dark |
1:13:31 | Co.LeGa | Absence of Doubts | Nobody Goes to Heaven |
1:16:42 | Kyle Dixon & Michael Stein | Stranger Things (extended) | Stranger Things Vol. 2 |
1:21:24 | Aeseaes | Horror Vacui | Opia |
1:25:08 | Observatori | The Horizon Beckons | The Empire of Light |
Fourth Half Hour |
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1:30:00 | David Helpling & Eric “the” Taylor | Her Endless Cold Embrace | The Precious Dark |
1:38:53 | Beirut | Ghost Train | A Study of Losses |
1:42:30 | break | ||
1:42:58 | David Helpling & Eric “the” Taylor | For Those In Shadow | The Precious Dark |
1:49:10 | Uh | Nostos | Pleroma |
It’s a meeting of electronic generations with Ian Boddy and Harald Grosskopf. Ian grew up traveling the spaceways of Ash Ra Tempel, Tangerine Dream and Klaus Schulze. Harald Grosskopf was the drummer for Klaus Schulze and Ashra back then before turning to electronic music.
Harald Grosskopf: When I heard the first time a sequencer, I was completely out of my mind. I had goosebumps and the groove was so intense. I remember that was in the basement of the house of Klaus Schulze in the early 70s. he started the sequencer and it blew my mind.
Ian Boddy and Harald Grosskopf talk about their new album, Doppelganger. I have them together talking about that and the golden age of German electronic music today on Echoes.
Weekend, May 10-11, 2025 – Echoes Program 2518B |
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Start Time |
Group Name |
Song Name |
Album Name |
First Half Hour |
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0:01:00 | Arooj Aftab | Whiskey | Night Reign |
0:06:00 | Michael Brook | Lightstar II | BellCurve |
0:11:30 | David Helpling & Eric the Taylor | The Precious Dark | The Precious Dark |
0:20:16 | 9 Theory and Torii Wolf | Statis (feat. xii) | Soft Realms |
0:24:17 | Liminal Shade | In Heaven | In Heaven (single) |
Second Half Hour |
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0:30:00 | Interview: Ian Boddy and Harald Grosskopf | ||
0:42:55 | Ian Boddy & Harald Grosskopf | Doppelgänger | Doppelgänger |
0:50:22 | Ian Boddy & Harald Grosskopf | Dubnium | Doppelgänger |
Third Half Hour |
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1:06:00 | Sillkroad Ensemble with Rhiannon Giddens | Rainy Day (with Wu Man) | American Railroad |
1:13:10 | Anoushka Shankar | We Burn So Brightly | Chapoter III_ We Return to Light |
1:16:38 | Ane Brun | Crumbs | After the Great Storm |
1:21:39 | ODESZA | Severance: Music to Refine 2 | Severance: Music to Refine |
Fourth Half Hour |
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1:30:00 | AeTopus | Why Not Now | iota |
1:35:17 | HAAi & Tom VR | Can’t Stand To Lose (hard soft rework) | Can’t Stand To Lose |
1:39:29 | Dieter Spears | error202.0 | The Signal |
1:43:15 | break | ||
1:43:55 | Ancient Future | Spirit of Nirvana | Purple Nirvana |
1:49:10 | Kitaro | Lotus Mountain | Sacred Journey of Ku Kai Volume 4 |
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