New music from the English band, yndi halda whose name might be Nordic for “Enjoy Eternal Bliss” or it might be Icelandic for “Keep Relish” and Jennifer O’Connor whose name means business.
Playlists
Wednesday, February 10, 2016-Echoes Program 1606C
Tag: singer-songwriter
Best Of
Echoes Top 25 for January 2016
The Echoes Top 25 for January includes the CD of the Month by Contact, as well as last month’s pick, Enya, along with new releases by Tuxedomoon, Ane Brun and Tranceology.
Playlists
Thursday, January 28th, 2016-Echoes Program 1604D
Sierra Hull is a prodigy who played mandolin at the Grand Ole Opry at 11. But now she’s a singer-songwriter recording with Alison Krauss, Abigail Washburn and Bela Fleck on her new album, Weighted Mind
Playlists
Wednesday, January 27, 2016-Echoes Program 1604C
Miranda Lee Richards has played with the Brian Jonestown Massacre and Black Rebel Motorcycle Club.
Playlists
Weekend, January 23 & 24, 2016-Echoes Program 1603A
Silencio is a band that plays music inspired by the films and soundtracks of David Lynch and Angelo Badalamenti. From Twin Peaks to Mulholland Drive to Wild at Heart, they trip through Lynchian motifs to make their own film noir sound.
Interview Podcast
Emilie and Ogden in the Echoes Podcast
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Emile is Emilie Kahn. Ogden is her harp. Together they create a chamber folk music.
Playlists
Thursday, January 21st, 2016-Echoes Program 1603D
On the next Echoes it’s new music by Swedish singer Ane Brun. She’s backed up Peter Gabriel and is an icon on the Swedish scene.
Playlists
Monday, January 18th, 2016-Echoes Program 1603A
Silencio is a band that plays music inspired by the films and soundtracks of David Lynch and Angelo Badalamenti. From Twin Peaks to Mulholland Drive to Wild at Heart, they trip through Lynchian motifs to make their own film noir sound.
Interview Podcast
Briana Marela in the Echoes Podcast
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Briana Marela creates ethereal pop from the sound of her multi-tracked voice.
Playlists
Tuesday, January 12th, 2016-Echoes Program 1602B
Emile is Emilie Kahn. Ogden is her harp. Together they create a chamber folk music with chiming harp and Kahn’s winsome, childlike voice that manages to find depth and authority.