Mimi Page is an auteur of electronic dream pop and a composer of video game scores. But her new album, Sound Healing Vol One takes her in a more meditative direction. We talk to her on Echoes.
Neo-Classical meets electronic space when John Diliberto talks to wind and piano player Jill Haley and electronic artist Deborah Martin. Their second collaboration is Into the Quiet.
Kevin Keller talks about his album, Evensong. It is partly based on the chants and hymns of 12th century Abbess Hildegard von Bingen. Kevin brings these gothic sounds into the 21st century.
English electronic artist Ian Boddy comes in to play live. We also interview Brannan Lane, John Gregorius and Sean O’Bryan Smith. They have a new project called Emergence.
Pull up a chair for an Echoes Acoustic Thanksgiving. On this day of gathering for food, family & friends we have a live performance by guitarist Tim Farrell, surrounded by a show of all acoustic music.
On a Slow Flow Echoes, new music by Vic Hennegan. He started out as a disciple of German space music but he’s gone in a more percussive direction for his new album, Time Ritual.
Moby covers a song by Cream, and it’s not one of the big ones. He takes a haunting track from Disraeli Gears and turns it slowcore. We’ll also hear something from Beautiful Chorus.
Brannan Lane, John Gregorius and Sean O’Bryan Smith come from different musical worlds – from deep country and western to deep ambience. But they’ve gotten together for an album called Emergence.
Balmorhea talk about their music which has moved from ambient country into a more classically refined sound. Their latest album, Pendant World, is on the classical Deutsche Grammophon Label.
We set the controls for the heart of infinity when English electronic artist Ian Boddy comes in to play live. Sitting in a cockpit of synthesizers he sends us deep into space.