Dance in 2026 with An Echoes Ambient Trance New Year’s Eve. All systems are plugged in, and the chill is turned up to 11, as we swing in on electronic sounds old, new and beyond time and space.
Flutist Nicholas Gunn casts back across his career with the album, 30, marking 30 years since Music from the Grand Canyon. He’s evolved a lot since then going from tribal to trance.
On a Slow Flow Echoes, music by ambient chamber music composer Peter Gregson from his eponymously titled album, and a different kind of ambient chamber music by Tepon and his single, Wildroot.
On a Slow Flow Echoes, music from EDM artist Sasha. He scored the music for the immersive exhibition, Da Vinci Genius. It flows from orchestral to ambient moods in a cinematic expanse.
Lose yourself in some Long Tracks. We’ll hear four epic pieces all spanning some 20 minutes each. It may be a TikTok world, but Echoes brings us the epics, not just the tidbits.
Deepspace is Australian electronic artist Mirko Ruckels. His recent albums, Neon Blue Utopia and Water Planets, are immersive ambient albums wrapped in science fiction stories.
On a Slow Flow Echoes, music from EDM artist Sasha. He scored the music for the immersive exhibition, Da Vinci Genius.
Azam Ali of Vas and Niyaz returns with a new solo album, Synesthesia, exploring themes of sensory perception, loss, fear and love. It’s Echoes November CD of the Month.
Deepspace is Australian electronic artist Mirko Ruckels. His recent albums, Neon Blue Utopia and Water Planets, are immersive ambient albums wrapped in science fiction stories.