Weekend Echoes listeners hear an interview with Vas & Niyaz singer Azam Ali about her all-English electronic album, Phantoms. We’ll also hear free improvisation with Swana-Motzer-Hirlinger.
The Echoes Top 25 for August 2019 features the CD of the Month “Evanescent” by David Pritchard at the top, followed by Lamb, Azam Ali, Eve Maret, and 21 more recent recordings.
Harpist and singer Emilie Kahn creates a probing music with just her harp and voice. She used to record as Emilie & Ogden. Ogden is her harp. It’s still there when she plays live on Echoes.
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Azam Ali takes her love of modern electronic music to create her new album, Phantoms. John Diliberto talks to her about a sound born from social and political darkness and electronic grooves.
Mutual Benefit is a music project created by singer-songwriter Jordan Lee. He creates an orchestral folk sound with lush harmonies. We return to their 2016 visit to the Echoes studio.
Rachel Eckroth started out as a jazz pianist before she found her voice and emerged as a singer-songwriter. On her last album, When It Falls she moved into electronic dream pop.
On Echoes, new music by Fink, the performance name of Fin Greenall, the sophomore release by the new age supergroup, FLOW and Lana Del Rey’s homage to Norman Rockwell, sort of.
Electro-R&B group Beacon talk about the influence of religion and the writings and art of Walter Russell, a 20th century renaissance man who created his own Cosmogony.
This weekend on Echoes, Meat Beat Manifesto, the legendary British artist, talking about electronic music past and present. We’ll also hear harpist and singer Emilie Kahn playing live.
Bat for Lashes, the Gothic dream pop project of singer Natasha Khan, goes even more dark, mystical and electronic on a new album called Lost Girls. We’ll hear from it tonight.