Tangerine Dream’s Thorsten Quaeschning releases The Munich Session. We also go back to 1981 for John Foxx’s The Garden, and Mark Dwane returns to 1988 to revisit his debut with Martian Apparitions.
Weekend Echoes listeners hear an interview with Vas & Niyaz singer Azam Ali about her all-English electronic album, Phantoms. We’ll also hear free improvisation with Swana-Motzer-Hirlinger.
The Echoes Top 25 for August 2019 features the CD of the Month “Evanescent” by David Pritchard at the top, followed by Lamb, Azam Ali, Eve Maret, and 21 more recent recordings.
New music from London Grammar teaming up with the Australian producer Flume on a new, swirly electro-pop single. I’ve also got something from Plaid that is a wild electronic ride.
Eve Maret brings her synthesizers and vocal processing to perform the music of her debut album, No More Running, live. Maret is a resolutely electronic artist, influenced by ’70s and ’80s electropop.
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Azam Ali takes her love of modern electronic music to create her new album, Phantoms. John Diliberto talks to her about a sound born from social and political darkness and electronic grooves.
Meat Beat Manifesto is the legendary British electronic artist who came up during the industrial and trip-hop sampling days. Founder Jack Dangers is a scholar of electronic music.
Tangerine Dream’s Thorsten Quaeschning releases The Munich Session. We go back to 1981 for John Foxx’s The Garden and Mark Dwane returns to 1988 to revisit his debut with Martian Apparitions.
Rachel Eckroth started out as a jazz pianist before she found her voice and emerged as a singer-songwriter. On her last album, When It Falls she moved into electronic dream pop.
On Echoes, new music by Fink, the performance name of Fin Greenall, the sophomore release by the new age supergroup, FLOW and Lana Del Rey’s homage to Norman Rockwell, sort of.