Neo-Classical meets electronic space when John Diliberto talks to wind and piano player Jill Haley and electronic artist Deborah Martin. Their second collaboration is Into the Quiet.
There are many Christmas and seasonal albums out there, but David Arkenstone’s Winterlüde most perfectly captures the wonder of the season. It’s Echoes CD of the Month for December.
English electronic artist Ian Boddy comes in to play live. We also interview Brannan Lane, John Gregorius and Sean O’Bryan Smith. They have a new project called Emergence.
We talk with Secret Sky, the world fusion group of cellist and singer Caroline Lavelle, and guitarist Brian Hughes, from Loreena McKennitt’s band. They reveal all the secrets on Echoes.
On a Black Friday, post-Thanksgiving mood, what you need is a Slow Flow Echoes. We’ve got music to chill you out with tracks from Taiyo Rey and Alannis Morrisette goes from angst to ambient.
On a Slow Flow Echoes, new music by Haushka. The German pianist likes to insert strange objects on the strings of his piano, in the tradition of John Cage. His latest album is Philanthropy.
Pull up a chair for an Echoes Acoustic Thanksgiving. On this day of gathering for food, family & friends we have a live performance by guitarist Tim Farrell, surrounded by a show of all acoustic music.
David Holmes is a longtime giant of electronic music and a prolific film composer. He teams up with singer Raven Violet to create a politically charged album, Blind on a Galloping Horse.
Moby covers a song by Cream, and it’s not one of the big ones. He takes a haunting track from Disraeli Gears and turns it slowcore. We’ll also hear something from Beautiful Chorus.
Guitarist Tom Caufield brings us an album without any guitar. Using synthesizers and a violinist, he channels the sound of progressive groups like Popol Vuh and Vangelis.