An over-five-hour uninterrupted instrumental soundscape featuring spacemusic inspired by the futuristic vision of the film 2001: A Space Odyssey, including music by Vangelis, Tangerine Dream, Klaus Schulze, and many more recordings, old and new.
Electronic artist Tim Blake was there at the beginning, playing synth for space rockers Gong and Hawkwind and launching his own project of synthesizers and lasers, Crystal Machine.
We’ve been playing the electronic music of Vic Hennegan for decades on Echoes. Now we will be talking to Jaymie Rose Hennegan who has just made her debut with the album, Transition.
We enter the World of Chant. From Abbess Hildegard von Bingen to contemporary musicians exploring a medieval sound, we’ll hear voices descending from the heavens and tuning the spirit.
On the next Echoes, we’ll hear cover versions, songs that have been reimagined. Some of them you will know, some may be more obscure and a few won’t sound anything like the original.
It’s a Wicked Game on the next Echoes. Chris Isaak’s single, Wicked Game, was released 35 years ago in 1989. This sound has influenced pop music, ambient country and more.
On a Slow Flow Echoes, new music by Scott August who has put down his native American flutes and plugged into his synthesizers for a new album called Impulse Kontrol Vol.1.
Angels Descend when we hear heavenly music as the spirits of angels fly through the soundscape with music from Jane Siberry, Iasos, Liminal Drifter and more heavenly bodies.
Stretch out on the next Echoes for Long Tracks V. We’re going to hear music that goes as long as it needs by Moodwings, Nik Bartsch’s Ronin, Craig Padilla & Marvin Allen and more.