Weekend listeners hear original tracks from Ludovico next to remixes by Leo Einaudi. Then we hear both album sides of Edgar Froese’s Epsilon in Malaysian Pale on its 50th Anniversary.
Coming Up
Weekend, Sept 27-28, 2025 – Einaudi Vs. Einaudi
Tag: 50th
Coming Up
Tuesday, Sept 23, 2025 – Epsilon in Malaysian Pale
We celebrate the 50th Anniversary of Epsilon in Malaysian Pale, the second solo album by Tangerine Dream founder Edgar Froese. It’s hailed as a masterpiece of ambient and electronic music.
Interview Podcast
Echoes Podcast: Klaus Schulze-An Icon of Electronics
Coming Up
Weekend, Aug 16-17, 2025 – Klaus Schulze’s Timewind
It’s the 50th Anniversary of Timewind, the 1975 album by Klaus Schulze that helped launch a new genre in electronic music. We’ll hear a documentary & a good helping of this expansive album.
Coming Up
Monday, Aug 11, 2025 – Klaus Schulze’s Timewind
It’s the 50th Anniversary of Timewind, the 1975 album by Klaus Schulze that helped launch a new genre in electronic music. We’ll hear a documentary & a good helping of this expansive album.
Playlists
Weekend, May 3-4, 2025 – Programs 2517A & 2517B
Electronic Realizations for Rock Orchestra by Synergy (Larry Fast) was released 50 years ago. There were no guitars or drums on the album, just synthesizers creating epic, orchestral tracks.
Interview Podcast
Echoes Podcast: Larry Fast’s Synergy Turns 50
Playlists
Monday, Apr 28, 2025 – Echoes Program 2517A
Electronic Realizations for Rock Orchestra by Synergy (Larry Fast) was released 50 years ago. There were no guitars or drums on the album, just synthesizers creating epic, orchestral tracks.
Coming Up
Weekend, May 3-4, 2025 – Synergy Electronic Realizations
Electronic Realizations for Rock Orchestra by Synergy (Larry Fast) was released 50 years ago. There were no guitars or drums on the album, just synthesizers creating epic, orchestral tracks.
Coming Up
Monday, Apr 28, 2025 – Synergy Electronic Realizations
Electronic Realizations for Rock Orchestra by Synergy (Larry Fast) was released 50 years ago. There were no guitars or drums on the album, just synthesizers creating epic, orchestral tracks.