We go on a quest with David Arkenstone. He returns to fantasy themes and epic orchestrations on his latest release, Quest for the Runestone. Join us in the land of myth on Echoes.
Take Sigur Ros, add strings and a more classical sensibility, and you get Limina. By day, Tyler Durham works on film scores. At night he fires up his virtual orchestra as Limina.
Do you listen to Echoes to go to sleep? Well, we have the perfect music for you when we hear from Max Richter’s album, Sleep-Tranquility Base, on a Slow Flow Echoes.
On a Slow Flow Echoes, music by Gustavo Santaolalla from his score to The Last of Us, the HBO dystopian monster series. We’ll also hear a remix of a track by Omar Faruk Tebilek
On a Slow Flow Echoes, new music by Orchestra Indigo, which isn’t an orchestra, but just Richard Randlett. When he isn’t playing blues rock he creates electronic ambient chamber music.
Ride the current of a Slow Flow Echoes. We’ll hear music from Lena Natalia. The Chicago based pianist is creating ambient piano works on her album, Hidden Treasures.
Take Sigur Ros, add strings and a more classical sensibility, and you get Limina. By day, Tyler Durham works on film scores. At night he fires up his virtual orchestra as Limina.
We have one conversation with a trio that has released an album called Seven Conversations. They are Jeff Oster, Vin Downes and Tom Eaton. We talk to them about improvising in ambient space.
We get liquid with Edgar Froese’s solo debut album, Aqua, released 50 years ago. Froese was the founding member of Tangerine Dream, but this album went more experimental.
We celebrate Klaus Schulze’s Blackdance. Released in 1974, it was Schulze’s third release and the first to see him moving in the direction of music for which he’s best known.