Take a trip. We have Maps. We talk to James Chapman. He’s half of the duo onDeadwaves but also records as Maps, merging electronics with Ennio Morricone grandeur and Beach Boys exultant harmonies.
New music from Berlin, the 1980s synth-pop band who have made a comeback with a new album called Transcendance. We’re also going to hear from the electronic group, Redshift off a new anthology.
Oboist and composer Jill Haley takes up residence and composes music inspired by the landscapes and her photographs. Join John Diliberto on a walk through the parks on Echoes.
A serene and free-flowing exploration of chamber music moods when we hear pianist Fiona Joy Hawkins and violinist Rebecca Daniel in a beautiful and intimate performance.
This weekend on Echoes Bat for Lashes’ Natasha Khan talks about the vampyric and film imagery behind her new album, Lost Girls and we hear pianist and composer Ludovico Einaudi playing live.
On a Slow Flow Echoes, it’s music by Djam Karet, the veteran American progressive rock group. Their album taps into their world music and folk influences. Come gaze at the heavens with us.
We’ll hear the debut album from Vonavi, an electronic dream pop artist whose new album of electronic moods and songs is called Reflection. We’ll also hear Sherry Finzer and Will Clipman.
Massergy is the performance name of Eric Jensen. His story includes the death of his brother, learning electronic music from scratch, psychedelics and recording his electronic music.
Ludovico Einaudi brings us his pristine, perfectly poised sound when the acclaimed Italian pianist and composer comes in to play music from his latest album, Seven Days Walking, live.
It’s vampires and dangerous love when we talk with Natasha Khan of Bat for Lashes. She talks about the vampyric and film imagery behind her new album, Lost Girls.