Tubular Bells’ composer Mike Oldfield talks about Ommadawn, his two-sided epic from 1975. It’s partly an homage to his mother, who died during the recording, and her Irish roots.
Gracie and Rachel have a new album called Hello Weakness, You Make Me Strong. They talk about influences from classical to hip-hop and music that is beautiful in the midst of pandemic.
Andreas Vollenweider has returned with a new album, Quiet Places. Then Helen Jane Long brings a highly melodic, driving sound on the album, Vessel of Light. We talk to them on Echoes.
New music by Roger and Brian Eno from their collaboration Mixing Colours. We’ll also hear from electronic artist Hollan Holmes who has a new album of sequencer electronics called Milestones.
Llynks graduated from the Berklee School of Music, worked as a model, played music as Sara Kendall, then metamorphosed in Llynks, a dark, electronic pop project. She talks about it on Echoes.
Amon Tobin, early pioneer of jazz driven electronic music, has returned after a four-year hiatus with new music and pseudonyms, including psychedelic persona Figueroa where he even sings.
New music from British neo-classical composer, Helen Jane Long. She brings an highly melodic, driving sound on the album, Vessel of Light. We’ll also hear from electronic composer Mars Lasar.
Andreas Vollenweider has been out of sight for 11 years, but now the acclaimed Swiss harpist has returned with a new album, Quiet Places. We go there and talk to him on Echoes.
Two legends of electronic music this weekend on Echoes with guitarist Michael Rother who has released the box set, Solo II and Moby talks about his prescient new album, All Visible Objects.
We get High on Isra. That’s actually the name of German band making an electronic pop. We’ll hear from their album, Sad Sad Sad. We’ll also hear from the California Guitar Trio.