New music by Indarra, an entrancing band with a supernatural Basque name centered on the declamatory vocals of Sue Hutton. We’ll also hear the latest by the chant trio White Sun on Echoes.
On a Slow Flow Echoes, Thomas Newman from his score The Highwaymen, the movie about the two Texas Rangers who hunted Bonnie & Clyde. Then from the highway to the spaceways with Chuck Van Zyl.
It’s music from Switzerland when the minimalist jazz ensemble, Nik Bärtsch’s Ronin come in to play live. The ECM band create a music out cyclical interlocking patterns that evolve over time.
Harpist and singer Emilie Kahn creates a probing music with just her harp and voice. She used to record as Emilie & Ogden. Ogden is her harp. It’s still there when she plays live on Echoes.
On the next Echoes the acclaimed English band, Lamb, talks about their new album, The Secret of Letting Go. The title speaks to the duos sometimes contentious working relationship.
Julia Kent started as a classical cellist until she joined rockin’ cello band Rasputina and recorded with Antony and The Johnsons. But she’s been making solo looping cello music since 2007.
Coming up on Echoes, the latest by Farao. She has an album that goes in a more pop direction called Pure-O. We’ll also hear from Beacon, a dream pop duo with a sensuous album.
On a Slow Flow Echoes electronic artist Emancipator teams up with 9 Theory on a techno-tribal EP called Cheeba Gold. We’ll groove to that and hear some new music by guitarist Robert Linton.
Electronic artist Bluetech takes us inside his downtempo, melodic electronic music including his latest albums, The Four Horseman of the Electrocalypse and Liquid Geometries.
Rachel Eckroth started out as a jazz pianist before she found her voice and emerged as a singer-songwriter. On her last album, When It Falls she moved into electronic dream pop.