It’s Strange Days on the next Echoes with a Flashback 50 to the second album by The Doors. We’ll hear a suite of songs from this classic acid rock album as well as some surprising covers.
Bassist Ike Sturm and guitarist Jesse Lewis are Endless Field, a duo updating a sound with roots in the Paul Winter Consort, ECM jazz and Windham Hill Records.
Head into space on the next Echoes when we talk to Quindar, the electronic duo of art historian James Merle Thomas and Wilco keyboard player Mikael Jorgensen. They use the sounds of NASA to create the electronic moods of their debut album Hip-Mobility.
On the Next Echoes, the enchanting chamber pop of Gracie and Rachel. Their music is like a meeting of Erik Satie and Max Richter with your favorite singer-song-writer topped by the unaffectedly pure voice of Gracie Coates.
Podcast: Play in new window | Download
Subscribe: RSS
The Greatest Hoax is both a political statement, a commentary on life and death, and beautiful ambient chamber music. Hear Taylor Jordan talk about the soundtrack of dying in Echoes Podcast.
On a Slow Flow Echoes it’s new music by English electronic band Radium 88’s “Perpetual Emotion Machine” and Dungen get remixed on “Haxan Versions by Prins Thomas.”
On the next Echoes the tribal sound of an electronica singer, Zola Jesus from her new album “Okovi”. We’ll also hear Maya Jane Coles from her new album, Take Flight.
Jim Ottaway is an Australian electronic musician inspired by Tangerine Dream who came to it late in life but he’s making up for lost time with two dozen albums in last decade.
Jordan Taylor creates moody, ambient chamber music under the name The Greatest Hoax. His latest recording, Expiration Compositions, explores his anxieties about death and dying.
On the Next Echoes, the enchanting chamber pop of Gracie and Rachel. Their music is like a meeting of Erik Satie and Max Richter with your favorite singer-song-writer topped by the unaffectedly pure voice of Gracie Coates.