Tuesday, June 23, 2026 – Echoes Program 2625B

The harp is often thought of as a heavenly instrument plucked by angels. And gothic voices have certainly called to the heavens. Those are attributes that harpist Mary Lattimore and singer and electronic musician Julianna Barwick attain on their album, Tragic Magic. Mary Lattimore isn’t your typical classical harpist. She channels her instrument though a looping device and can be heard in numerous, often avant-garde situations where hell is right next to heaven. Julianna Barwick has been creating looping choirs and ambient synth sounds for years now. The two have been playing together for a while now and it all comes together on their debut album as a duo. Tragic Magic was recorded at the Musée de la Musique of the Philharmonie de Paris using antique harps dating to the 18th century and synthesizers dating back to the 1970s along with the voice of Barwick, dating to transcendent. We talk to them on Echoes.
| Start Time |
Artist |
Song Title |
Album |
| First Half Hour |
| 0:01:00 |
Julianna Barwick & Mary Lattimore |
Perpetual Adoration |
Tragic Magic |
| 0:06:00 |
Morcheeba |
Escape the Chaos |
Escape the Chaos |
| 0:11:20 |
David Moore |
Will We Be There |
Graze the Bell |
| 0:16:21 |
Kristin Hoffmann |
Release Me Reveal Me |
RainShine |
| 0:24:21 |
Jake Shimabukuro |
Beneath the Waves Part 1 (with nature) |
Calm Seas |
| 0:29:30 |
Feldman & Tiley |
Kind (excerpt) |
Protomensch |
| Second Half Hour |
| 0:30:00 |
Interview: Julianna Barwick & Mary Lattimore |
| 0:44:24 |
Julianna Barwick & Mary Lattimore |
Melted Moon |
Tragic Magic |
| 0:52:35 |
Julianna Barwick & Mary Lattimore |
Rachel’s Song |
Tragic Magic |
| 0:59:00 |
Immersion |
Change of Use (excerpt) |
WTF??? |
| Third Half Hour |
| 1:01:00 |
Twilight Archive |
Somewhere Street |
Dusk Line |
| 1:06:00 |
Moby |
Retreat |
Future Quiet |
| 1:12:28 |
Madison George |
Point of View (feat. Maci Jackson) |
Macrocosm |
| 1:16:00 |
Falling You |
Constellations |
Metanoia |
| 1:22:33 |
Craig Padilla & Marvin Allen |
Sun Portal |
Unfolding Skies |
| 1:29:30 |
Lisa BellaDonna |
Future Moves (excerpt) |
Counterpoints |
| Fourth Half Hour |
| 1:30:00 |
Steve Horner & Fiona Joy Hawkins |
Quickening |
(Single) |
| 1:33:02 |
Twin Shadow |
Real Enough |
Cadet |
| 1:40:14 |
Near The Parenthesis |
FourFour |
Relative Minor |
| 1:44:27 |
break |
|
|
| 1:45:04 |
Rebecca Foon |
Flood of Eternity |
Black Butterflies |
| 1:48:52 |
Jake Shimabukuro |
The Passing Storm |
Calm Seas |
Wednesday, June 24, 2026 – Echoes Program 2625C

New music by Amaara, the recording persona of actress Kaelen Ohm. She has a new album, Child of Venus. We’ll also hear music from guitarist Tom Caufield off his latest album, The Whisper Resistance. John Diliberto talks softly on Echoes from PRX.
Hear it on Echoes Online Right Now!
Homepage
© Copyright 2026 Pennsylvania Public Radio Associates, Inc.
As an Amazon Associate, we earn from qualifying purchases.
Thursday, June 25, 2026 – Echoes Program 2625D

Music by Tom Eaton. You’ve heard him with FLOW and the Brothers trio and as producer on countless albums. On his own, he makes a dreamy ambient music with the album, Weathering. We’ll also hear music by singer Kristin Hoffman from her album, Rainshine. It’s in the weather of Echoes with John Diliberto from PRX.
Hear it tonight on the air or at Echoes Online Right Now!
Homepage
© Copyright 2026 Pennsylvania Public Radio Associates, Inc.
As an Amazon Associate, we earn from qualifying purchases.
Friday, June 26, 2026 – Echoes Program 2625E

On a Slow Flow Echoes, music by Caterina Barbieri from her album, Myuthafoo, a recording of mesmerizing electronic patterns. We’ll also hear a project from trumpeter Jeff Oster called Howling Loon. He’s explores a lo-fi club sound. It’s all Meutaful and looning, on a Slow Flow Echoes from PRX.
Hear it on Echoes Online Right Now!
Homepage
© Copyright 2026 Pennsylvania Public Radio Associates, Inc.
As an Amazon Associate, we earn from qualifying purchases.
Monday, June 29, 2026 – Echoes Program 2626A

Formed in the late 1990s, Unwed Sailor create a distinctive, bass-led instrumental music with post-rock dynamics that can shift from driving grooves to rapturous melodicism. On their latest album, High Remembrance, they lean toward the melodic side. At the center is Jonathan Ford, using bass guitar as both the music’s melodic voice and rhythmic engine. His work carries echoes of new wave artists like The Cure and New Order, but it also has a distinctly American character: wide-open, cinematic expanses that feel like driving through a southwest highway at 90 miles an hour, then veering off the road toward a desert horizon. It’s a fitting Echoes CD of the Month for this semiquincentennial July.
Read John Diliberto’s Review here.
| Start Time |
Artist |
Song Title |
Album |
| Echoes Monday, June 29, 2026 – Program 26-26A |
| First Half Hour |
| 0:01:00 |
Hammock |
We Close Our Eyes So We Can See |
The Second Coming Was a Moonrise |
| 0:06:00 |
Unwed Sailor |
Truest Sentence |
High Remembrance |
| 0:11:10 |
Arlo Parks |
Heaven |
Ambiguous Desire |
| 0:15:27 |
Harald Grosskopf |
Flow |
Glitches Brew |
| 0:22:58 |
Boards of Canada |
Arena Americanada |
Inferno |
| 0:29:30 |
Message to Bears |
Half Light (excerpt) |
Tired Eyes Waking Hearts |
| Second Half Hour |
| 0:30:00 |
Unwed Sailor |
Cinnamon |
High Remembrance |
| 0:33:23 |
Widowspeak |
Wondering |
Roses |
| 0:37:33 |
Byron Metcalf & Erik Wøllo |
The Route of the Ascendant |
Spanned Times |
| 0:46:19 |
Break |
|
|
| 0:47:08 |
KARYYN |
FWD |
Physics Universal Love Language (PULL) |
| 0:51:38 |
Unwed Sailor |
High Remembrance |
High Remembrance |
| 0:59:00 |
Lena Natalia |
Afternoon in Oslo (excerpt) |
The Time Before Us |
| Third Half Hour |
| 1:01:00 |
Banco De Gaia |
Farewell Ferengistan |
Farewell Ferengistan |
| 1:06:00 |
Unwed Sailor |
Three Jewels |
High Remembrance |
| 1:11:31 |
David Helpling and Scott Reich |
Breath of a Flower |
Through the Thought Horizon |
| 1:17:29 |
Gem Club |
Tend |
Emerald Press |
| 1:21:03 |
Tori Amos |
Veins |
In Times of Dragons |
| 1:24:57 |
mRn |
Petra Awaiting |
Secret Place |
| 1:29:30 |
Shambhu |
Resilience (excerpt) |
Lotus Dreams |
| Fourth Half Hour |
| 1:30:00 |
Michael Whalen |
Soft Geometry |
Standing Near Infinity |
| 1:36:27 |
Eartheater |
Crown Jewel |
Crown Jewel (Single) |
| 1:40:20 |
Unwed Sailor |
Gingerman |
High Remembrance |
| 1:45:55 |
Break |
|
|
| 1:46:34 |
Thomas Lemmer |
In the Quiet of What Was |
DREAMSCAPES II |
| 1:48:24 |
Kinobe |
Nothing Else Exists |
Open Your Mind |
| 1:52:12 |
Suzanne Perry |
Sally’s Song (from the Nightmare Before Christmas) |
Sally’s Song (Single) |
| 1:54:12 |
Unwed Sailor |
West Coast Prism |
High Remembrance |