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ICONS
OF ECHOES
Over
the years certain artists have emerged as icons of the Echoes
soundscape. These are musicians who shifted the direction of
music, whose work influenced a generation and usually , musicians
who also tend to be articulate thinkers about their art. In this
series, you'll hear features Echoes has produced on these artists,
often encompassing their entire careers. |
ANDREAS
VOLLENWEIDER
Over
the last two decades, Swiss harpist Andreas Vollenweider has
emerged as one of the most popular and adventurous modern instrumental
composers. His electric harp has influenced a generation of
musicians, and his lush melodic sound and world music touches
have shaped the music of the last ten years.
Vollenweider is constantly pushing boundaries, brinigng new colors
and musicians into his music from the South Africa choir Ladysmith
Black Mambazo to Mongolian avant-garde singer Sainkho Namtchylak.
We've been fortunate to interview Vollenweider innumerable times
since the early 1980s and have him perform on Echoes twice with
enchanting performances.
In this Icons of Echoes collection, the magic of Andreas Vollenweider
is revealed, in four sound portraits spanning a decade of his
career, and two Living Room Concerts. The first is from 1998
and the second from 2000.
listen
to all interview features>>
(approx 30 minutes)
Andreas
Vollenweider: The Story So Far
(1989)
In
interviews with Vollenweider, guitarists Max Lasser and Thomas
Fessler and drummer Walter Keiser we look back at the genesis
of Andreas Vollenweider's sound and his concept of music as a
story of self-discovery.
listen>>
(approx.
7 minutes)
Andreas
Vollenweider: A Music of the World (1992)
In
1992 Andreas Vollenweider released the albums "Book of Roses"
with lush, orchestral sound centered around his electric harp.
He used more world music elements than ever before, but Vollenweider
says these are just sound colors he uses to create his journeys.
On Book of Roses those colors include Ladysmith Black Mambazo,
The Bulgarian Men's Choir and flamenco guitarist Gerardo Nunez.
Vollenweider talks about his album and is joined by Ladysmith
Black Mambazo's Joseph Shabalala.
listen>> (approx.
7 minutes)
Andreas
Vollenweider: Deciphering Kryptos (1998)
On his 1998 album, Kryptos
(Sony Classical), Swiss harpist Andreas Vollenweider created
a world music symphony using full orchestra and musicians from
Japan, Mongolia, South Africa and more. Andreas talked about
his world music sound and the imagery that's always behind his
elaborately titled compositions.
listen>>
(approx.
7 minutes)
Andreas
Vollenweider: Pairing Off (2000)
On
his latest album, released in 2000, COSMOPOLY, Andreas Vollenweider
stripped down to the basics, getting rid of elaborate orchestrations
and overdubs, and focusing in on interactions with a cast of
global musicians. He paired off with Bobby McFerrin, pianist
Abdullah Ibrahim, singer Carly Simon and the Solis String Quartet
among other. Vollenweider talks about the Swiss recordings sessions
that resulted in this album and about getting down to basic musician
relationships.
listen>>
(approx.
7 minutes)
AN
ECHOES LIVING ROOM CONCERT WITH ANDREAS VOLLENWEIDER (1998)
On the heels of his 1998 album, Kryptos, Andreas Vollenweider
came to the Echoes living room and improvised music for Celtic
harp, gothic harp, the Chinese cheng and the Africa Kora. Hearing
Andreas play solo, you realize the purity of melody and the virtuoso
musicianship that goes into his more heavily produced albums
and concerts. A magical performance.
listen>> (approx. 25 minutes)

AN ECHOES
LIVING ROOM CONCERT WITH ANDREAS VOLLENWEIDER (2000)
In a rare Echoes Living Room Concert before a live audience,
Andreas Vollenweider brought his electro-acoustic harp and percussionist
Walter Keiser in front of the Music Personnel Conference in New
Orleans in February 2000. Andreas showed off his incredible
virtuosity, playing music from his most recent Sony Classical
album, COSMOPOLY.
listen>> (approx. 28 minutes)
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